Why there is no holiday more tragic than Lag B’Omer for my family

May 19, 2022

Lag B’Omer is traditionally a happy festival when Jews celebrate with bonfires and picnics, but I have always known it as the day when most of my mother’s family was murdered.

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On January 27, 2020–on the 75th anniversary of the liberation of Auschwitz-Birkenau—a special exhibit “Seeing Auschwitz” premiered at the United Nations. I was lucky enough to be with Paul Salmons, its chief curator, as he walked a small group through his very moving exhibit. Now his tour can be shared with you. I was very surprised—and also very honored—to see photos from our “Eyes from the Ashes” collection included in this small but important “Seeing Auschwitz”. **

I think you’ll be interested in hearing my esteemed colleague’s focus on the humanity of the people, who became casualties of the Nazi regime.

Click on the image below to see the video

There is an extraordinary exhibit in New York City at the Museum of Jewish Heritage, titled “Auschwitz—Not Long Ago, Nor Far Away.” I am honored to have my photos included (see blog Spring 2019) in this tremendous exhibition, organized by the Auschwitz expert, Robert Jan van Pelt.

This exhibit will be on display from May 8, 2019 (which is the anniversary of VE / Victory in Europe in 1945) until Jan 3, 2020. This article below gives you a taste of the scope and depth of this superb exhibition.

The Horrors of Auschwitz at a Museum in New York (NY Times)


How Ann Weiss Restored Humanity to the Victims of Auschwitz

Paul JablowApril 29, 2015

In October of 1986, as a delegation of Jews active in community affairs toured a closed Auschwitz-Birkenau, investigative journalist Ann Weiss fell behind the others.

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‘Eyes from the Ashes’ honors Holocaust victims, survivors
Click on the above link for this story


Change Honors 70th Anniversary of Auschwitz Liberation
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Photos reveal lives loved, lost in Holocaust

Amy Bennett Williams, 8 a.m. EDT October 9, 2014

It’s as clear to me now as it was when I was 12: A grainy shot of a huge bulldozer crawling forward with the occasional lurch, its huge scooped blade pushing a dark load toward a trench. The camera angle changes. The machine is not shoveling snow or earth, but a tangled hill of limp bodies, pushing them as a mass. Yet as heap reaches the brink and tumbles over, they separate, each falling alone into the darkness below.

I don’t think my visual introduction to the Holocaust was much different from that of other schoolkids of my vintage. Sure, we learned the facts, memorized the dates and took the tests, but what stayed with us was the sheer, staggering size of the thing. All those people — thousands and millions of them.

The problem is that numbers that big can become abstract. When you’re staring at a literal hill of dead humans, it’s hard to distinguish features. That by no means diminishes the tragedy, but you process that sort of thing one way. And you process what Ann Weiss has done another way.

Ann Weiss will speak at the opening of her exhibit at the Holocaust Museum in Naples What the Pennsylvania author, photojournalist, teacher and mother has to show us is anything but abstract. Her traveling exhibit, “The Last Album: Eyes from the Ashes of Auschwitz-Birkenau,” opens with a gallery talk Sunday at the Holocaust Museum in Naples. It’s a collection of perfectly ordinary photos: toddlers playing on the beach, newlyweds raising a toast, class pictures, family dinners. What makes these images extraordinary is that they contain the faces of the dead while they were still robustly alive.
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Eyes from the Ashes article by Andrea Jacobs wins top Journalism award!

The Intermountain Jewish News won six Simon Rockower Awards for Excellence in Jewish Journalism at the American Jewish Press Association’s annual conference June 27-30 in Dallas, Texas. Among these awards was Andrea Jacobs, first place in feature writing, “Eyes From the Ashes” (Feb. 19, 2010), on Ann Weiss’ accidental discovery of pre-Holocaust family photographs in a locked room at Auschwitz.

CLICK TO READ the winning feature article of the year, “Eyes From the Ashes” by Andrea Jacobs.



Here is January 2013 article in CURATOR Magazine, written by Laura Tokie, describing a series of photos of the Huppert Family, on exhibit in Detroit Holocaust Museum until March 2013. To read the full article CLICK HERE

The Holocaust Memorial Center in Farmington Hills, Michigan helps visitors remember. Its appearance and placement in the community, with architecture echoing a concentration camp, fully visible from a busy street, flanked by a bank and a Chinese restaurant, challenges passerbys to consider the horrors of the Holocaust in the everyday. It houses a permanent exhibit exploring Jewish history and culture prior to World War II. Area Holocaust survivors speak to tour groups. And the special exhibit The Last Album: Eyes from the Ashes at Auschwitz-Birkenau gives visitors other images to consider, images that didn’t matter to the Nazis, images that tell us what, and who, the people victimized wanted to remember.

To curate, in its most old-fashioned sense, means more than gathering a collection. The word implies a sense of care. In 1986, Ann Weiss separated from her guided tour group at Auschwitz I. She wanted silence, and took some time before seeking to rejoin the group. When she began looking for them, she got lost. She could hear voices, but could not see them, when she encountered an employee. The employee invited her to see something not on the tour: a collection of about 2400 photographs. The pictures were not of abuses. They were not from the Nazi perspective, officially or unofficially. They were the spared mementos of prisoners, specifically from the people in the final liquidation and deportation of the Bedzin ghetto, August 1-3, 1943.

From that moment forward, Weiss began to care for the photographs. She sought to copy them and bring them to the light; she sought people who might remember those in the pictures. She gathered stories and made connections. Her work is collected in a book, and in this traveling display. By curating this collection, Weiss gives the viewer a chance to acknowledge a fuller reality surrounding the Holocaust.

The exhibition includes sweethearts and couples, portraits of children, friends walking together, people visiting resorts. Some of the people have been named, including eight pictures grouped together with the title The Huppert Family. In this portion of the exhibit, we learn that Artur, Grete, and their son Peterle sent notes and pictures to Artur’s parents. We see an artful picture, “The Triple Exposure of Artur Huppert,” a picture of Artur and Grete at their wedding celebration, two pictures of Artur and Grete with their son, Peterle, when he was 16 months old. Between the pictures of the family sit three portraits of Peterle at 16 months, with a beautiful head of curls.

The eighth picture in the Huppert family collection features a delighted Artur kneeling behind Peterle. Together they hold picture frame containing two portraits: Josef and Rosa Huppert, Artur’s parents.

The direct impact of the Holocaust on Artur, Grete and Peterle is told in the captions near the photos. It is recorded that Artur and Grete do not survive their transport to a slave-labor camp. Peterle was on the same transport as his mother, and his fate went unrecorded.

The pictures were brought to Auschwitz with love. It is love that makes them familiar to us. The viewer is invited to think beyond the violence, remember this common bond, and imagine afresh the loss. As Leon Wieseltier writes in the foreword to Weiss’ book:

“The greatest enemy of abstraction is suffering. … Pain is always endured in the particular. Suffering is always experienced concretely; and this experience of concreteness, this transforming encounter with facticity, humbles the mind, and disgusts it, and stimulates within it the sobering suspicion that its most strenuous task is not the development of ideas, but the acknowledgment of realities.” (6)


Along with the three portraits of Peterle, the following words (translated) were sent:

“As pretty as the moon, and we will all see each other again very soon, in freedom, in health, when all this is behind us. Love, your grandchild, until 120 (years).”

If only. If only Peterle had lived to be 120, a phrase evoking Moses and his good lifespan. If only the world had not known such cruelty and violence. If only the Huppert family album continued. The viewer is left to ponder not just the culture lost, and the lives lost, but the future lost.

And yet. The display calls us beyond loss, to remember something else too, to not let evil and death have, in the exhibit’s words, “the final punctuation.” It asks us to end the sentence with life.


Ann Weiss celebrates lives cut short too soon

Ann Weiss became lost while touring Auschwitz, one of history’s most horrific places, and it was a misstep that put her on a remarkable path of discovery. She became connected to a generation and to a culture that was almost entirely destroyed by hatred and intolerance.



Life before Auschwitz: Finder of rare photographs visits Bates College

Published on Tuesday, Nov 8, 2011 at 12:12 am | Last updated on Tuesday, Nov 8, 2011 at 12:12 am

LEWISTON — Ann Weiss, who discovered at Auschwitz a cache of photographs from the lives of Jewish victims before they arrived at the death camp, will speak at Bates College at 7 p.m. Monday, Nov. 14, at the Edmund S. Muskie Archives, 70 Campus Ave.

Confiscated from Jews deported to Auschwitz in 1943, the images reflect the memories that men and women sent to Auschwitz could not leave behind. A unique testament to the vitality of the victims’ lives, these photos are the only known surviving collection from a whole transport to a concentration camp.

At Bates, Weiss will discuss her discovery of the photographs and the journey culminating in their publication in her 2001 book “The Last Album: Eyes from the Ashes of Auschwitz-Birkenau.”

The event is open to the public and will be followed by a book signing. For more information, please contact 755-5980.

In contrast to the Holocaust images embedded in our minds, these extraordinary photos provide an intimate and compelling record of who the Nazis’ victims were, whom they loved and what mattered most to them.

Weiss discovered the collection of more than 2,000 photos by accident during a group tour of Auschwitz in 1986. She has traveled the globe researching the stories behind the photos. Her journey has taken more than 20 years, including many visits to Poland to secure permissions and copy the photos, and far-ranging travels to reunite photos with remaining family members. Whenever a story was matched to a face, an identity was restored.

“Survivors have always told me how their loved one died, but I would ask a new question, ‘How did they live?’ ” says Weiss. “And even when no survivor remains to tell the story, it is the photos themselves, and the eyes, that reveal their own powerful testimony.”

The photographs are the basis for touring exhibitions and a 1988 documentary film, “Eyes from the Ashes.” The images have been displayed around the world including an exhibit at the Wiesenthal Center/Museum of Tolerance in Los Angeles.

Weiss is a principal interviewer, researcher and analyst for The University of Pennsylvania’s “Transcending Trauma: Psychological Mechanisms of Survival” project, which has interviewed Holocaust survivors in the most detailed interview protocol to date.

She serves on the editorial board of the “Studies in the Shoah” series of history books, and has served as a trained interviewer for the Survivors of the Shoah Visual History Project, founded by director Steven Spielberg.

She is the founder and director of the Eyes from the Ashes Foundation, an educational organization.



To read article in Twin City, Maine on Dec.1, 2011, click here




Click here to listen (7 minutes)


Ann Weiss talks about her rare and moving collection of pre-World War Two photographs that belonged to deportes to Auschwitz-Birkenau on WHYY 91FM (Philadelphia) with Marty Moss-Coane. The photographs are featured in her book The Last Album. She came across a hidden cache during a visit to the camp in the early 1980’s. Joining in are TOLA GILBERT and BEN HIRSCH who found images of friends and loved ones among Weiss’ collection.

 Click here to listen (52 minutes)


View a story on The Last Album and Ann which appeared on the Chronicle News Magazine on WCVB-TV, Boston.

   Click to Play  (5 minutes)


Article appearing in the THE EMORY WHEEL on September 21st, 2010. Click on the image to view the full article.

Emory Wheel - September 21, 2010

Article appearing in the THE DENVER HERALD DISPATCH on February 25, 2010. Click on the image to view the full article.

Article appearing in the THE VILLAGER on February 25, 2010. Click on the image to view the full article.

Ann Weiss participated in the Global Human Rights Torch Relay, which took place at the Liberty Bell, Independence Hall in Philadelphia on May 3, 2008

Asked to speak from her perspective on the Holocaust, Ann emphasized the echoes of having said “Never Again” til her throat is raw. She continued, “This is the time, this is the place, we must be the generation who fights for justice until no innocent victim is left to stand alone, against the oppression, brutality and cruelty of a totalitarian government. As the Jews in World War II were abandoned by the world, we much not abandon these innocent people suffering so greatly by the actions of the Chinese governemtn. And let this be the time when we never say “Never Again” again!

This global torch event is being held in cities world-wide until the Beijing Olumpics.

YouTube Video Link

(For my friends who want to see excerpts of the Human Rights event, I am featured about half-way into the 7 minute clip.)

Ann at Cohen Hillel Academy, Swampscott, MA.
April 13, 2008

Friends of the Hillel Library Benefit—Keynote by Ann Weiss,
Fundraiser for the Cohen Hillel Academy, Swampscott, Massachusetts.

In addition to Ann’s keynote presentation, the evening featured a tribute to Survivor Abraham Rogozinski, and special honoring of L. P. Summers, of Atlanta, Georgia.

Click here for photos of this event

May They Read to Be 120!
March 27, 2008 – Michael Elkin, Arts & Entertainment Editor

Helping the Jewish Publication Society turn the page on 120 years in business are some of its locally based authors. Gathered at the Borders bookstores in Wynnewood (from left) are Ann Weiss (“The Last Album: Eyes From the Ashes of Auschwitz-Birkenau”), Marsha Bryan Edelman (“Discovering Jewish Music”), Pecki Sherman Witonsky (“The Cave of Reconciliation: An Abrahamic/Ibrahimic Tale”), Deborah Bodin Cohen (“Lilith’s Ark: Teenage Tales of Biblical Women,” a 2006 National Jewish Book Award Winner), Joyce Eisenberg and Ellen Scolnic (“The Dictionary of Jewish Words: A JPS Guide”) and Dan Ben-Amos (“Folktales of the Jews,” winner of a 2006 National Jewish Book Award.) Not pictured is Shelley Kapnek Rosenberg for her books “Raising a Mensch” and “Adoption and the Jewish Family: Contemporary Perspectives.” Luckily for all, George Costanza had his own artbook to keep him busy.

Ann Weiss speaks to World Congress of Russian Speakers at HIAS April 25, 2007. The following article appeared in the Russian edition of The Forward in May 2007.

Ann Weiss speaks to World Congress of Russian Speakers at HIAS April 25, 2007. The following article appeared in the Russian edition of The Forward in May 2007.


It was an unusual session of the Permanent Seminar on Jewish Genealogy under HIAS auspices. This time the presenter was Ann Weiss, a child of the Holocaust survivors. In 1986, while she was participating in a special tour in Auschwitz, Ann found boxes with the pictures, which belonged to the Nazi’s victims. Trying to erase not only the lives but even the memory of the people the wanted to destroy, the executioners usually burned the personal holdings of their victims, that is the items they could not utilize. Twenty four hundred pictures were occasionally saved. Since this moment Ann Weiss changed the direction of her life. She decided to identify the people on these pictures and find those who survived. It was a task of a Herculean scale and this petit woman with a soft quiet voice a little bit louder than a whisper overcame thousands of obstacles to fulfill her goal. During the seminar she told the attendees, a group pf Russian Jews how she managed to identify 400 people. Ann showed the book The Last Album: The Eyes from the Ashes and a video. She later said that never before she had such a responsive and empathic audience. Naturally, the Russian Jews know something about suffering.

Anatoliy Yasennik

The book has garnered a great deal of attention from the press. Newspaper reviews and articles in the US, Europe and in Israel have praised the book. Full reviews of the book can be seen in:

The Philadelphia Inquirer
April 17th, 2001
Magazine section entitled “Holocaust: A Different Picture” by Alfred Labrano, Staff Writer
Click here for excerpts.

The Jewish Week New York
March 23, 2001
2nd Front-Bookmarks section entitled “The Photos They Carried” by Sandee Brawarsky, Jewish Week Book Critic.
Click here for excerpts.

The Sun, Baltimore Maryland
April 8th 2001
Arts and Society section entitled “Auschwitz Album: Snapshots of Lives Lived Well” by Carl Schoettler, Sun Staff Writer.
Click here for excerpts.

The Jerusalem Post
April 20th, 2001
Friday Books section entitled “Snapshots That Were Not Supposed To Be Seen” by Sam Orbaum.
Click here for excerpts.

San Diego Union Tribune
January 28th, 2001
Out of The Ashes: Photos Found in a Nazi Death Camp Are a Reminder of Life by Suzanne Choney, Editor
Click here for excerpts.

The Chesapeake Bay Region B’nai B’rith Today
May/June 2001
“Searching For Humanity Amid the Holocaust” by Geoffrey Gettinger, Contributing Writer.

Main Line Life, Montgomery County Newspapers of April 11-17th, 2001 entitled “To the Millions Whose Stories We Will Never Know” by Katie McDonald, Main Line Life Staff.

Boston Sunday Globe, Boston, Massachusetts
Sunday January 28, 2001
Photo Essay appeared in the Boston Globe, entitled “Recovered Memories.”

Times Literary Supplement, London, England
March 2, 2001
Photo of Artur, Grete and Peterle Huppert appeared in The Times Literary Supplement.
Weiss has catalogued, and successfully identified, many of the photos.